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At
about age five, I nailed and glued pieces of wood together
in the form of a birdhouse while my grandfather looked
over my shoulder. My grandfather was a shining example
of "Yankee ingenuity." He could fix or build almost anything.
I would like to think that he passed on a little of that
trait to me. Since my time growing up in northern New
Hampshire, I have continued to pursue a passion for working
with wood. After college and military service, I traveled
the United States and then settled in Lake Tahoe. I grew
up surrounded by family members that worked in the ski
business, so it is not by accident that I pursued a career
in skiing. After starting as a ski patroller at Heavenly
Ski Area, I spent over thirty years in ski area management.
Along the way, I met my wife, Tere, and we raised two
wonderful children. When we married, we had a roof over
our heads, but no money for furniture; that is when I
made a decision to purchase a table saw instead of a piece
of furniture. Many years of furniture building preceded
my discovery of the lathe, during which time I learned
a lot about wood joinery. Because of my previous woodworking
experiences, it was only natural that I gravitated towards
segmented designs.
Things that "go in circles" have always surrounded me.
My "real" job, prior to becoming a fulltime wood artist,
involved the operation and construction of ski lifts,
which go "round and round". My last large construction
project before leaving Heavenly Ski Area was the creation
of a 900-foot circumference, donut-shaped, observation
deck, which has a "segmented" walking surface. You can
see a picture of this deck at http://www.tahoeturner.com/deck.html.
As a lifelong skier, I have always been a "turner"; I
often spend my winter days turning my skis in the morning
and then turning wood in the afternoon.
Segmented woodturning is an art form with few limitations.
By combining turned components, I can create just about
any shape or size and by arranging different wood species,
I can create just about any type of surface design. There
are few art forms with this much freedom. This lack of
restriction keeps my mind engaged contemplating the possibilities.
This art form also gives me the opportunity to work with
woods from around the world and thereby gives me the opportunity
to share these wonderful materials with many people. Beautiful
wood is almost a magical substance; many gallery visitors
seem to experience an uncontrollable urge to touch the
surfaces that I have created using these treasures of
nature. Many designs require innovative assembly solutions,
much like puzzle solving; and just like the joy of solving
a puzzle, there is great joy in inventing assembly techniques.
I have a passion for what I do because it's fun - the
designing, the puzzle solving, and the inter-action with
other people.
I have been fortunate to have many of my pieces acquired
by prestigious collectors from around the world and my
pieces have won numerous woodturning show awards. This
has certainly provided incentive to continue doing what
I do. Perhaps, one of the biggest thrills was witnessing
a donated piece (for a local charity auction) receive
a $50,000 bid; indeed, that was a very special night.
Compliments and awards are wonderful, but you know that
you have created something special when someone reaches
for their checkbook.
Perhaps it is my imagination, but there seems to be an
increased interest in segmented turning during the last
few years. I recently conducted demonstrations at the
AAW symposium in Orlando and I was surprised at the level
of enthusiasm amongst the attendees. As an art form, it
is still relatively uncommon; but I think its uniqueness
is part of what makes it so special. It intrigues people
and many woodturners seem interested in learning the necessary
techniques. As evidence of this, I have been honored by
recent invitations to conduct more and more presentations
at various symposiums and woodworking schools. I enjoy
sharing my passion for segmented turning; it is just as
much fun as creating a new piece.
My wonderful, schoolteacher wife, Tere, has always been
my biggest fan. She certainly shares in any successes
that have come my way. When a publisher recently asked
me to write a book on segmented turning, she was the first
one to encourage me. My book, The Art of Segmented Woodturning,
will be available through all the big booksellers in late
November. I will also be offering "signed" copies through
my website at www.tahoeturner.com.
Comments and questions are always welcome and can be direct
to malcolm@tahoeturner.com.
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"Alice's
Garden"
An icosahedron inner sphere with twelve trumpet-shaped
forms 4004 pieces of assorted woods 34" tall |
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"Broken
Spirits"
This vessel features "porthole" style windows with
embedded mosaic Indian face designs. Argentinean mesquite
and many exotic species 32" tall |
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"Bucky
Was Right"
An icosahedron inner sphere surrounded by a 60-ball,
"Bucky Ball" Curly maple, ebony, tulipwood, and purpleheart
28" tall |
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"Continuum"
This form is comprised of six half-bowl shapes. Curly
maple and jarrah 10" by 16" |
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"Deception
on the Cocobolo"
Swivel leather seats, hidden storage drawers, lead-weighted
segmented playing pieces Myrtlewood and many exotics
42" tall |
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"Faithful"
Over 8,000 pieces of European beech and red batu 36"
tall |
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"Growth"
Assembled from individually turned rings Myrtlewood
and ebony 28" tall |
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"Integration"
16" diameter donut-shaped, interlocked rings Curly
maple and walnut |
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"Loopholes"
Half-bowl shapes, rejoined to create a different form
Texas ebony, sandalwood, purpleheart, and maple 14"
tall |
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"Orbis"
Four half-bowl shapes, rejoined to create a different
form Texas ebony, sandalwood, purpleheart, and maple
14" tall |
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"Oval
Bowl #9"
Created by cutting a tall bowl into two halves and
then rejoining them at their top rims Ebony, mesquite,
yellowheart, rosewood, pink ivory 14" long |
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"Pearls
from the Forest"
A Bucky Ball (60 spheres) surrounding an inner dodecahedron
configuration (12 spheres). Curly maple, mesquite,
yellowheart, other exotics 34" tall |
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"Scrambled
Miters"
An example of multi-generational lamination Curly
maple, myrtlewood, yellowheart, purpleheart, pau ferro,
and ebony 11" tall |
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"Talking
with Wood"
Holly, carob, ebony, and many exotics 17" diameter
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"Turbulence"
Constructed from 16 half-bowl shapes Argentinean mesquite
and many exotics 34" tall |
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"ZigZag
Vases"
Examples of second-generation lamination Assorted
exotics The tallest is about 16" |
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